THE FADING GIANT (Sounds of Steam Railroading Vol. 2)
Not one in a million Americans ever again will ride a scheduled mainline
passenger train behind a live and breathing steam locomotive. That time is gone.
Remembrance of the unique, indefinable glow in such trips fades and dis-
appears. It was a singular thriil, that steam train riding, a sense of high adven-
ture wrapped in warm well-being: The start from the pulsing terminal, the
yards with their clickings and bangings, chuffings and quick glimpses of other
travellers on other trains, the open country where whistles made no distinction
between thronged highways and farmers’ lanes, the solid roar of bridges be-
neath, and the always unexpected smash of tunnels with darkness all around
and echoes banging upon echoes. And the little stations: A long wailing
engine call and the hiss of slowing to the local agent’s platform domain. The
start with its first uncertain puff, then the thythmic power growing heavier
and heavier, quicker and quicker until the car wheels ticked the rail joints
into new, strange lands.
That time is gone. But “The Fading Giant” will bring you back the memory
strong and clear. For half this record was made on a train in the last days of
passenger steam on the mountainous Norfolk & Western. Few such recordings
have been made successfully. They are usually distorted. On train sounds — as
car wheels or the locomotive’s roar dominates the ear. The feeling of actually
riding the train simply isn’t there, But after long expetimentation Link and his
assistants found the proper place for the microphone and added their knowl-
edge of techniques to create a-balanced image.
‘When you close your eyes and listen to Side A of “The Fading Giant” you
are the locomotive screeching steel around New River curves, feeling the tug of
10 cars up Bluefield Mountain, plunging through the sharp tunnels of the high
Alleghanies. Your voice touches the coal tipples in Keystone, Welch and
Kimball and rebounds from Big Four Tunnel and Antler and Hemphill
Number Two. It is an experience in sound.
“Fading Giant's” Side B takes you to a roundhouse, to the 3% grades of the
N&W’s renowned Abingdon Branch and to a Virginia flag stop on Christmas
Eve. The engine facility sequence brings some seldom-heard rail sounds as a
Mountain type locomotive shuffles from stall to turntable to coal wharf and
back again. The two transcripts from the twisting line into the clouds are
superb renderings of a half-century-old steamer as it struggles up the Carolina
and Virginia sides of 5520 foot-high White Top Mountain. There are frequent
solos by the only whistle of its kind anywhere, a sound described by one rail-fan
as “the most goose-bumpy I ever heard!”
With Christmas chimes as a backdrop, the New Orleans-Washington train
comes to Rural Retreat (an actual town with real chimes — no name inventing
or dubbing) as a fitting close to “The Fading Giant.”
It was said that Link's previous record “Sounds of Steam Railroading,” was
“a collectors item which can never be reproduced.” Volume Two goes further,
deeper into the recording of an era of sound, now gone forever from the
American scene.
Sipe A Volume 2
‘This is an entire mainline steam passenger run condensed to
27 minutes. Actually it comprises five excerpts from the recording
of a complete 401-mile roundtrip of N&W Trains 15 and 16,
“The Cavaliers” between Roanoke, Va. and Williamson, W. Va.
But it holds together tightly as a rounded sound picture of a
passenger operation through river valleys and over rough moun-
tains. You can close your eyes, relax and let nostalgia take over.
You're on a steam train again!
The recording was made on a bright Sunday in the late spring
of 1958, just a few weeks before “the finest passenger engine
ever made” — the Class J, streamlined 600s — were placed on a
standby basis, Most of the sound comes from a microphone im-
mediately back of the tender, shielded from the wind and guarded
so boiler and wheel noises assume their proper proportion.
The record opens with Train 15, Engine 611, westbound,
wheeling and whistling happily along New River in extreme
western Virginia. The baggageman pulls the air three times for
a flag stop at Pembroke. Engineer acknowledges with three shorts,
then recognizes another flag from the Pembroke agent with two
shorts. She pulls to the platform and compressors pant. There is
a five-blast call to the flagman, brakes are released and Fifteen
chuffs away. Sequence fades with the train running smartly west
of Pembroke.
Returning Train 16, Engine 605,
has reached a point west of Davy,
W. Va. in late afternoon. It is truly
rugged country and the locomotive
fights up Tug Fork of the Big Sandy
over bridges and through tunnels.
There is frequent whistling because
rails lie through an almost continu-
ous sprawling line of coal-mining
communities. We hear those whis-
tes, then Twin Branch Tunnel, then
a whistle i a tunnel. Cylinders spit
nicely as she comes out coasting. There is a cacaphony of whistles as 16 stops at Davy. There
is skidding shortly after the start and the horn of a westbound freight can be heard faintly —
the only diesel sound in the entire record. The train then whistles for and passes through
Antler Tunnel.
Now comes a fine recording of a train entering and leaving a small station. Train 16,
slowing, blows and enters West Vivian Tunnel, then eases out to make a fine stop at Kimball,
As she leaves the exhaust echoes from a string of hoppers on a siding. A crossing whistle
ends the sequence.
Sixteen is entering Welch from the west through the two long Hemphill Tunnels and
Welch Tunnel. There is fine whistling both in and out of tunnels and good track sound.
She crosses a trestle over the Tug River, then eases up a main street of the town to the station.
‘Automobile sounds and voices can be heard over the clash of the couplers.
It is twilight now as “The Cavalier” leaves Keystone, W. Va. and whistles frequently as it
makes the mile and a half run to North Fork. Wheels loudly protest the sharp curves and
the train rumbles over short bridges. Voices from children on the platform are picked up as
she eases into North Fork. The start is neat and the 605’s exhaust is echoed from the sharp
cliffs and buildings. The fade-out comes as Train 16 pounds up Bluefield Mountain toward
Elkhorn Tunnel.
Sipe & Volume 2
1. Scene is the Norfolk & Western roundhouse at Bristol, Va.-Tenn. where until January I,
1958 the road’s steam engines still operated to connect with the Southern’s line from Knoxville
and the Deep South. Sequence opens with the roundhouse whistle signalling the end of the
second trick lunch period, Engine 104, a 4-8-2 which 35 years before had been the queen of
che passenger trade is ending her career as custodian of the daily local freight between Bristol
and Radford, She signals, moves from her roundhouse stall to the turntable, The ratchetty,
whirring table creaks and jars her into position to ease off the table and pass the microphone
at a second position. The locomotive chuffs to a switch and backs up on the coal wharf siding
to pass the listener again. After servicing 104 returns to her berth, ready for the next days
chores.
2. On the return trip over the high, inaccessible mountains near the Virginia-lennessee-
North Carolina meeting point, N&W Mixed Train 202 takes a running start’ for the
heavier grades to come as it powers past the battered store-post office at Husk, N. C
(pop. 78). We hear the labored distant exhaust, then the nonesuch whistle of Engine 382
(said to have been made especially for Engineet Nichols). Again the whistle, and again.
Now there is response from Jimbo, the Hound of Husk, who has heard it twice a day for
years but cannot resist his painful obligato. The mighty little 51-year-old twelve-wheele:
with its load of four freight cars, a combine and a coach approaches to crescendo and
passes with never a let-up in its pounding drive. There is no business today at Husk, N. C
("Nella” on the timetable). Engine 382 works harder in the distance as grade increase:
From 1.4 to 2%.The wondrous whistle echoes from the cliffs and she is gone
3. Green Cove is a mountain settlement on one of the two isolated level spots in the solid
17-mile climb of the N&W’s “Virginia Creeper” from Damascus, Va. to White Top Station's
3577-foot level — highest point reached by a passenger train east of the Rockies. Until Decem-
ber 1957, when the diesels came Engine 382 and her train from another century made the
daily-except-Sunday ascent each morning around 10 spouting a volcanic plume of black
and an ear-wracking blast as she inched up the 3% grade. Over the crickets we hear her distant
laborings, the exhaust bouncing from the narrow cuts. There is the whee! of steel on steel
and the little engine slows to a protesting crawl. Then comes the incredible whistle and more
fighting until a station blast announces that the 200-yard stretch of level land is near. With
bell ringing and safety valve open she drifts to a stop. Then the clank of slack and Engine 382
starts slowly and confidently on the last three twisting 39% miles to the top. A long crossing
blast ends the sequence.
4. It is 9:39 P.M. on Christmas Eve, 1957 in Rural Retreat, Va., a farming community
near the highest point on the N&W’s line from Bristol to Radford. Mrs. J. E. Dodson plays
carols on the Lutheran Church chimes, From far to the southwest comes the distinctive
whistle of a Class J locomotive No. 603 powering Train 42, "The Pelican,” eastbound from
New Orleans to Washington. Old heads in southwestern Virginia still call 42 “The
Vestibule,” dating it to the time in the ‘nineties when it was the region's first train with
enclosed platforms. “Silent Night” floats over the village as the rumble grows. Another
whistle and the warning bell on the automatic crossing gate begins its clangor. The bell
ceases as 42 blows and comes with a rush, its 17 cars rumbling across the highway to a
quick flag stop at the wooden station. It pauses with a final squeal but almost immediately
moves again, the 603 sure in its rhythm. There is another whistle as “The Vestibule” fills
the night with power. The chimes continue above a far farewell salute. Seven nights later
the last steam engine ran over the Bristol Line.
Assistance in recording side A Thomas Haskell Garver
Recording Christmas Sequence at Rural Retreat Roy Zider
All Copy: Ben Bane Dulaney N&W Ry.
Design and layout of album cover and liner Salem Tamer and Bob Roche
Mastering by Hydrofeed — Jack Matthews — Components Corp.
Calor Gaveriprinted by Color Grafhan Gaston| Oxcnast—1 Stan fordnGore
All photography: QO. Winston Link
*Color Cover photograph made as Train 202 crossed Bridge 8 North of Alvarado, Va
on the Abingdon Branch.
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